Free Christian Sheet Music – “ABIDE WITH ME” – A powerful, nature-inspired arrangement for piano and soprano voice

Music Composition

Cover to the "Abide with Me" sheet music; a lantern in the darkness

In an effort to exercise my composing muscles, I’ve asked my friends to name some of their favorite hymns so I can arrange them. This one goes out to my gluten-free bestie, Rindi. She is one of the strongest people I know, and not just because she can’t eat regular pizza. Her dedication to Christ in the face of life’s challenges inspires me.

This song (in my mind) starts in autumn by a cozy fire (set to the tune of Abide with Me), plummets into a spare and icy winter (Jesus of Nazareth, Savior and King), then roars back to life as spring arrives in a joyful procession (God of Our Fathers).

Should be easy for a singer to pick up, but the piano part’s got some fanfare rhythms that might be tricky to pick up by sight alone. The downloadable mp3, imperfect midi though it is, can help my fellow pianists learn the rhythms by ear. Whew!

Pay-What-You-Want Piano Sheet Music to help you while away the time in quarantine

Music Composition

Dunno ’bout you, but I’m finally going stir-crazy around here. Yesterday, though, I took the time to do something I’ve been meaning to do for a long time: put some sheet music on my Gumroad store.

The first is an easy piano solo inspired by a former student’s kitten, called Jade’s Garden. What’s new? I added a version primarily made with 8th notes. You get both versions when you download it.

Cover for JADE'S GARDEN, profile of a seal-point cat in a lush yard with yellow flowersJade’s Garden: Pay-what-you-want at Gumroad

Second: I compiled all those simplified hymns I adapted into one printable PDF book called Sacred Hymns for Five-Finger Piano: an Easy Piano Collection for All Ages:

Cover for SACRED HYMNS FOR FIVE-FINGER PIANO, a lamb in a green fieldSacred Hymns for Five-Finger Piano: Pay-What-You-Want at Gumroad

Finally, just wanted to remind you I wrote an intermediate piano solo in the ambient spirit of Brian Eno and Harold Budd. This one’s $2.99.

A stony mountain seen through a warm glowing haze. Text reads: Mountain Bells, Intermediate Piano Solo, by Danielle Williams Mountain Bells: Buy at Gumroad

Hopefully I’ll get off my keister and post some more drawings–I scanned plenty earlier this year, just haven’t gotten around to watermarking them yet.

A frequent MuseScore user reviews LilyPond with Frescobaldi

Music, Music Composition, Reviews

Once I got into the flow of text entry, I *really* wanted to like LilyPond (and Frescobaldi). And when I say flow, I mean the full-on Csíkszentmihályi experience.

Black kitty with white paws typing like the wind! (From Aaron's Animals on YouTube)

Pictured: me inputting musical notes in LilyPond

Never in all my years of writing and adapting music in MuseScore did note entry go so fast. The notes flew out of my fingers.

When done, I pressed the little green lily pad button in Frescobaldi to see my plain text turned into beautifully-engraved music in the tiled window just next to my text editor.

If I had never coded before in HTML and CSS, I’d say it was like magic.Screenshot of an old version of MOUNTAIN BELLS, being worked on in Frescobaldi

That’s the promise of the free program LilyPond: beautifully engraved sheet music made with fast (text-based) input. And when you pair it with the free program Frescobaldi, the “coding” becomes close to What You See Is What You Get, once you hit that lily pad button. Plus, Frescobaldi played the music back to me.

Yes. Once I got used to it, the text input was MIGHTYFAST and I loved it and wished it would go on forever.

BUT I don’t think it’s a good tool for piano sheet music.

Because 1) setting up the right hand section in paragraphs in separate-but-parallel sections to the left hand got old quickly, despite Frescobaldi highlighting which text part corresponded to which printed notes. This was extra apparent when adding new notes and phrases in the middle of completed measures. One note gets shifted, then—bazoom!— both staves are misaligned and it’s very heard-wrapsy to fix it all on the text side.

2) Though the documentation claims there’s a way to set up staves one atop another, I just couldn’t figure it out. And folks, I just taught myself how to typeset a novel in Scribus from the ground floor. If you look up “self-taught” I’m at least in an example sentence.

While shifting notes and phrases around can also be a pain in MuseScore, it’s a nuisance-pain, not an MC-Escher-word-puzzle-being-solved-through-a-laparoscope pain. Mess up in MuseScore, you can directly cut, paste, and adjust on the score. In LilyPond, you have to go hunting through text, run the engraving process again, then pray you aligned everything correctly.

If input speed were my sole consideration, I might try using LilyPond and Frescobaldi for banjo tabs, or something else with only one staff.

But my understanding is MuseScore can do tablature too—and editing a multi-stave piano score makes far more sense to me in that program than it does LilyPond.

Sorry, folks. For this piano composer, MuseScore is just easier to handle.