Super artist Noah Bradley once posted this on his Mastodon feed:

Sketches are a really important part of my process. Until you’ve done an actual sketch, there’s almost no way to tell if an idea is worth pursuing.

So sketches are a low-investment way to trial an idea. If one turns out particularly well, I can spend the 20-30 hours to finish it up.

I’m glad he posted this, because my reply helped me articulate a lesson I’d learned earlier in the year:

I’m finally waking up to this idea (esp in thumbnailing towards a specific end). Often I have a great idea in my head. While it’s up there, the ideal image is too amazing for me to even try and tackle. But if I start thumbnailing and playing, suddenly the abstract is concrete, and when it’s concrete, I can see what needs to be done to get the piece going where I want it. Thanks for your terrific reminder.

Noah’s reply:

Absolutely. It’s so easy to stay stuck in your own head and get so wrapped up in thinking an idea is perfect without actually making it.

Creativity Lessons from 2018: A Thumbnail a Day Keeps the Perfectionism Away

Art, Writing

Here’s why:

“The Mona Lisa has a huge social media presence. Her picture is everywhere. But she doesn’t tweet. She’s big on social media because she’s an icon, but she’s not an icon because she’s big on social media.”

(from this entry from Seth Godin’s blog)

I keep coming back to a piece of advice I saw for selling markets ages ago: make cool stuff and tell everyone about it! the end.

Creativity Lessons from 2018: Quit Worrying About Your Social Media Presence

Art, Writing

It’s not perfect, but it does what I want.

I came across this quote on my Mastodon.art feed many months ago, attached to what I thought was a very cool picture. I boosted it, but also had the presence of mind to write it down on a Post-It note that I stuck above my computer*.

As far as I’m concerned, it deserves to be listed alongside the greatest art quotes of all time.

I come back to frequently. Because as a perfectionist-in-recovery it’s so easy to want to noodle and noodle (or sometimes NOT EVEN START) on a piece until you feel it is “perfect.”

But “perfect” isn’t the point, not to the viewer. The point is to evoke something.

Lots of things I enjoy evoke joy or laughter or awe or mystery without being absolutely flawless. (And sometimes, the flaws even add to my reaction!).

This quote’s helped me say, “You know what? I could noodle/add/whatever a ton more on this, but at this point, IT’S DOING WHAT I WANT. So even though it’s not technically perfect, I can be satisfied with it.”

And then I get to move on to the next thing!

*I didn’t write down the original speaker, though! If you’re the originator of this quote, I’d be delighted to credit you!

 

 

 

 

Creativity Lessons from 2018: The best quote for artists and creators suffering from perfectionism

Art, Writing

New short story collection! MIDWINTER MAGIC

Art, New from Pixelvania Publishing, Writing

Cover for MIDWINTER MAGIC: A stylized glowing reindeer leaps against the blue Northern Lights

Once upon a time, magic left the world for a night. It sighed back in through the scullery door in the morning with the cat, but by then, the Queen of the Northern Elves had fallen into a deep sleep, and, greatly diminished, the returned magic could not wake her.

From the author who brought you The Purrfect Christmas and A Gingersnap Cat Christmas comes an enchanting collection of three original yuletide fairy tales, written in the tradition of Jane Yolen and Ursula Vernon.


A little Christmas present from me to you. If you like reindeer, Santa Claus, elves, and mythic origin stories, you’re probably gonna dig this.

Buy from your favorite eBook retailer here (includes Amazon)

More info and excerpt here on MIDWINTER MAGIC’s Pixelvania Publishing page.

Book Covers Behind-the-Scenes: The Making of MIDWINTER MAGIC

Art

Hi so I spent over two hours today painting a decent-looking stylized reindeer for my latest eBook Midwinter Magic (and that was just on one file, and doesn’t count all my OTHER painting and sketching and thumbnailing time) (honestly, it felt like 5 hours on just that last file, though), but I can’t reveal the cover yet so you’re going to now suffer through my thumbnail sketches and WIPs.

sufferrrrrrrrrrrrrrrrr

j/k I hope you enjoy!

More cover design thumbnails for MIDWINTER MAGIC in Crayola Marker (Book Cover Behind the Scenes)The ones above were done after researching what other fairy tale collections were doing. Blue was a very popular color, as was sticking huge typography in the center of a rectangle. I first did these in pencil and came back after the next batch of thumbs and colored ’em.

I did not have a title at this time.

 

Cover design thumbnails for MIDWINTER MAGIC, done in Crayola Marker (Book Cover Behind the Scenes) Still no title I liked. Playing with the idea of folk art patterns and reindeer. Attempts at folk art style reindeer and flowers (Book Cover Behind the Scenes)Trying my hand at Scandinavian folk art patterns (there’s multiple schools of Scandinavian folk art with cool fancy names but I’ve forgotten them all). Of course this was after some research, but I don’t think any of these were direct copies, just me fooling around on watercolor paper with markers.

Cute li'l folk art flower (Book Cover Behind the Scenes)

Oh, right, it’s called “Rosemaling”! I remember because I invented my first Krita brush to try and emulate the single-stroke style color changes and stuff for this fnower. You can totally YouTube it! There’s guilds and everything!Tiling folk art flower, doodads, and pine tree (Book Cover Behind the Scenes)

Messing around with Krita’s tiling function got me this fun little tiling pattern.     Penciled thumbnail designs for MIDWINTER MAGIC's cover(Book Covers Behind the Scenes)

I fell ill in the middle of this project (both the writing and the drawing). By the time I got some energy back I felt like I was running late. I got my act together and came up with a title that didn’t embarrass my ancestors, then came back to thumbnailing. My default book cover solution is “slap an animal on it” but at least this time it wouldn’t be a cat.Reindeer sihouettes in blue marker (Book Cover Behind the Scenes)Marker attempts at reindeer/caribou, done with reference, but still trying to keep a stylized feel. The top left one was used in a few mockups I won’t show here.

Armed with a title, I went into Inkscape and chose fonts I thought would work. Then, for good measure, I grabbed some reindeer product silhouettes and slapped ’em on in some sort of artistic way (thanks, Trace Bitmap tool!!)

MIDWINTER MAGIC mockup - dark blue bg, reindeer sihouettes, and typography (Book Cover Behind the Scenes)

I liked these poses, but…other than that….this was bad. Really bad. I wound up going back to my thumbnails page, picking one I liked, and just elaborating on it in Krita.

I thought the final image would be, like, folk art flower patterns on a blue background, with a reindeer shape cut out in the middle, revealing some cool winter snowflakey pattern beneath (very hand-drawn-looking, in other words), but, uh, I traced a deer in one of the thumbnails, slapped a background from Unsplash.com behind it, went, OH! and went in a totally different direction.

How’d it turn out? Stay tuned for the cover reveal tomorrow morning!

Scribus Success Story: A Gingersnap Cat Christmas (paperback print novel)

Indie Publishing Friends, Writing

 

Scribus Success Story - book interior with epigraphs and illustrated title page

Epigraph and Title page for A GINGERSNAP CAT CHRISTMAS. Scribus actually had an option to cameo the image like that!

Indie authors, paperbacks can be done in Scribus, and they can be done beautifully!

A Gingersnap Cat Christmas is a holiday fantasy I wrote for middle-schoolers. The POD paperback (whose interior I formatted in Scribus) is available through Amazon.com.

About the project: Having just missed my Christmas 2017 publishing deadline for the Gingersnap Cat ebook, I vowed to use the extra time in 2018 to teach myself Scribus, with the goal of having Gingersnap ready for print before Christmas 2018.

 Before this project, the last time I’d touched the Big Name desktop publishing program was back in college for a single assignment in a single class…so I really felt like I was starting from scratch! I learned the basics using the Getting Started with Scribus tutorial, and also by working on a single-page newsletter for my church.

I used Scribus 1.5.3 on Windows 7, and chose 5.5.x8.5” for the trim(overall book) size.

  • Completed Size: 199 pages
  • Initial Margins: Inside = 0.875in, Outside=0.625in, Top =.625in, Bottom =.75in. (Note! While these are the settings I used at the beginning of the project, they had to be readjusted after the author proof showed the body text getting sucked into the gutter, see “Challenges” below).
  • Typefaces (fonts): the interior body text was done in Fanwood Text Regular 13 with a fixed 19.5pt line spacing. The interior heading typefaces are Firefly 11 (title), and the Classiq Regular Italic Choix 11 (author).
  • Cover: Designed in the open source vector program Inkscape, but Scribus took care of converting the exported PNG to print-ready PDF. (The kitties were painted in the open source raster art program Krita)

This project was completed just before Amazon migrated all Createspace projects over to Kindle Direct Publishing (KDP), and was so created according to Createspace specifications.

Scribus Success Story - book interior with a running header and a chapter heading

A sample of the novel’s interior.

Challenges: Though I thought I had automatic hyphenation turned on, but I don’t think I ever saw automatic hyphenation function work, so when needed, I inserted the hyphenation manually.

After setting up my left and right Master pages, I started by making each chapter its own file, applying paragraph and italicized styles (my italics weren’t transferred from MS Word), then adjusting the tracking (spacing between words), widows, orphans, etc. Once finished, I added each chapter to the main book body file.

This worked well initially, but since this was my first typography job, I wound up tweaking the tracking inside the much larger main file, which meant I had to deal with a slowdown in program speed. But if I had completed all my tracking 100% to my satisfaction in the individual chapter files, then added them to the main file without touching them afterwards, it wouldn’t have been a big deal. Scribus was still usable during this time—it just required a little patience.

My biggest technical hurdle was shifting text blocks—first when my corrective tracking caused pages to switch from left-side to right-side pages (and vice versa), then shifting the text blocks away from the gutter and down from the top after I got my first author proof back. (I recommend all authors set their inside margin wider than you think you’ll need!) Luckily Gregory Pittman came to my rescue with his very helpful shifting script! (He was also kind enough to modify the script to include vertical shifting after an email exchange. Mr. Pittman is a gentleman and a scholar!)

I found Clif Graves’ previous Scribus Success Story   invaluable as both guide and inspiration, along with John Osterhout’s Scribus templates  and DJ Mills’ “Creating Print-on-Demand Interiors and Covers Using Scribus” tutorial.

I’ve had numerous compliments on the look of the Gingersnap Cat Christmas paperback—and now that I’ve done it once, I look forward to using Scribus to publish print versions of my other short stories and novels.

 

New Horror Story: THE GIRLFRIEND WHO WASN’T FROM DELAWARE

Art, News from Pixelvania Publishing, Writing

Cover for THE GIRLFRIEND WHO WASN'T FROM DELAWARE - A giant hand made of blue static reaches down to pluck an apartment out of a building like a Jenga blockApartment walls are thin.

Reality may be thinner.

Ray Belga lives in the ugliest apartment building in town—but at least it’s quiet. Until a mystery neighbor’s fridge starts acting up.

At least…Ray thinks it’s a fridge. But he’ll soon learn you can’t trust everything you hear through apartment walls…


I hope you enjoy this (slightly twisted?) story about a guy with noisy neighbors. Just in time for Halloween!

Buy from your favorite eBook retailer here (includes Amazon)

More info and excerpt here on THE GIRLFRIEND’s Pixelvania Publishing page.

10K words reached on Girlfriend story!

Writing

…and you’re all, what Girlfriend story?

It’s a horror short I started last September, but it got put on the backburner when I started working on Gingersnap Cat. I was feeling a little fatigue on the Nosferatu Novel and thought I’d pick it up again. I can feel I’m nearing the end, so I’m really trying to put in my time on it. (It’d be great to have it out before Halloween!)

And now you know…the rest of the backstory. Good day!

PS If you’re looking for a nice uneasy read, you gotta read the original novella for THE BIRDS, it’s unnerving in a lovely way.